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The first delay pedal to use Boss’s compact enclosure, the DM-2 is now a bona-fide classic among pedal enthusiasts. Only in circulation between 1981 to 1984, the Boss DM-2 now commands a high price on the vintage market. With 300 presets, the BigSky is well designed for live use, too, and all in all, it’s no wonder many players consider it to be the greatest digital reverb pedal ever made.įamous users: James Bay, Ben Howard, Lee MaliaĪffordable alternative: Strymon blueSky Boss DM-2 Shimmer adds highly adjustable pitch-shifted tones, while Swell brings the reverb or dry signal in gradually like a volume pedal. There’s the utterly beautiful Cloud – a huge ambient reverb that works like a ‘better switch’ – and Chorale, which emulates an ensemble of human voices accompanying your playing. In addition to traditional offerings such as Hall, Plate, Spring and Room, you get modes that sprinkle anything you play with a heavenly sheen. The key factor is its 333MHz SHARC processor – a chip more commonly seen in studio and rackmount units – that gives the BigSky the DSP horsepower to almost endlessly refine 12 onboard reverb algorithms. The team behind the BigSky contains some of the modelling masterminds who had created the Line 6 Stompbox Modeler range a decade previously, and the ethos behind Strymon’s big-box pedal is similar, but more refined.
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The BigSky has exploded in popularity since it was first launched in 2013, bringing studio-quality reverb to pedalboards with a remarkable amount of control, flexibility and truly inspiring sounds.